Gyorgy Nemeth, Pharmacist, Visual Artist, Writer, Founder of Szingy Gallery Budapest, Author of the Szigetingy Philosophy | Németh György, gyógyszerész, vizuális művész, író, a Szingy Galéria Budapest alapítója, a Szigetingy Filozófia szerzője
A következő címkéjű bejegyzések mutatása: elérhetetlen csillag. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: elérhetetlen csillag. Összes bejegyzés megjelenítése
2019. december 9., hétfő
The Full Blown Rose
Charles Courtney Curran (American, 1861-1942) - The Full
Blown Rose, 1924 (Oil on canvas laid down on board) - - According to Charles
Curran’s record book, this work was executed in his New York studio at 39 West
67th Street in December 1924. The young woman depicted was one of his favorite
models, Ruth Jeffrey. Curran used Ruth Jeffrey as his model for a number of
years and she appears in many of his well known paintings.
2019. november 29., péntek
Edmund Charles Tarbell - Margaret Under the Elms
Edmund Charles Tarbell (American, 1862-1938) - Margaret
Under the Elms, c.1895 (Oil on canvas) - - Margaret Ruth Upham, an elegant
young woman in a white dress, is painted standing beneath a group of elm trees,
basking in the brilliance of the day’s sun. Her head is slightly turned towards
the viewer, and her arms hang down by her sides. Margaret Under the Elms superbly
demonstrates Tarbell’s fresh and original approach to plein air painting. A
rich mix of color, textures and light, the work demonstrates Tarbell’s early
mastery of Impressionist techniques.
2017. augusztus 6., vasárnap
2016. március 27., vasárnap
Nu au divan rouge - Nude on Red Sofa
Émilie Charmy (French, 1878-1974): Nu au divan rouge (Nude
on Red Sofa), 1925 - Émilie Charmy charted
a remarkable course
in the world
of French modern art in the first
half of the twentieth century… Fauve painters defined Charmy’s art… Afterward,
her mature style was characterized both by an adherence to the traditional
genres of portraiture, the
nude, landscape, and
still life, and a
modernist notion of direct, vigorous paint application as a
mark of artistic sincerity. This attitude found its ultimate expression in
Charmy’s numerous renderings of the female nude which, by virtue
of their intense
sensuality, confounded prevailing
expectations about the
nature of women’s art…
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