When an author returns to early manuscripts, the intent is often not to rewrite them, but to preserve their untouched purity. György Németh’s (Szigetingy) upcoming volume, Lili’s Diary, represents such an untouched text.
While the author’s later essays and prose works sit at the intersection of philosophical discipline and visual arts, Lili’s Diary reveals the most ordinary, yet most hidden layers of human existence.
The Internal Mosaics of the Diary:
Seasons and Time Passing Through the Body: The melancholy of sunless days that turns to childlike joy in a single moment as the canopy of leaves arches overhead.
Wry Self-Irony: A forgiving confrontation with female social roles, fears, and expectations (“all things considered, I feel completely different in my skin than I used to”).
The Material World and Nature’s Texture: A rickety wooden terrace, lakeside mud clinging to shoes, the convex trembling of the water, and a round, cotton-candy peace.
Lili’s Diary is not a chronological account. It does not seek to explain life, but to capture its density.
Currently in preparation under Szingy Books, this diary-book speaks to readers who seek not rapid plotlines, but slow, arresting moments of stillness.
Szingy Books | Szingy Gallery Budapest


